Max Klinger

Max Klinger Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil (Youth Style) the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled ''Paraphrase on the Finding of a Glove'' and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902. Provided by Wikipedia
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by Klinger, Max 1857-1920
Published 1877
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by Apuleius Madaurensis
Published 1880
Other Authors: '; ...Klinger, Max...
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by Apuleius Madaurensis 123-170
Published 1880
Other Authors: '; ...Klinger, Max 1857-1920...
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by Apuleius Madaurensis 123-170
Published 1880
Other Authors: '; ...Klinger, Max 1857-1920...
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Published 1881
Other Authors: '; ...Klinger, Max 1857-1920...
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Other Authors: '; ...Klinger, Max, 1857-1920...
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Published 1882
Other Authors: '; ...Klinger, Max 18.02.1857-04.07.1920...
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Published 1882
Other Authors: '; ...Klinger, Max...
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by Schlözer, Karl von
Published 1885
Other Authors: '; ...Klinger, Max...
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Published 1885
Other Authors: '; ...Klinger, Max 1857-1920...
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by Klinger, Max
Published 1889
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by Klinger, Max
Published 1891
Subjects: '; ...Klinger, Max (Künstler) swd...
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by Klinger, Max
Published 1895
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by Klinger, Max, 1857-1920
Published 1895
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by Klinger, Max
Published 1895
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by Klinger, Max, 1857-1920.
Published 1895
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by Klinger, Max 1857-1920
Published 1895
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