Max Klinger
Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with symbolism, the Vienna Secession, and Jugendstil (Youth Style) the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled ''Paraphrase on the Finding of a Glove'' and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.
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by Apuleius Madaurensis 123-170
Published 1880
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“...Klinger, Max 1857-1920...”Published 1880
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by Apuleius Madaurensis 123-170
Published 1880
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“...Klinger, Max 1857-1920...”Published 1880
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Published 1881
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by Apuleius, Lucius, asi 125-asi 180
Published 1881
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“...Klinger, Max, 1857-1920...”Published 1881
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Published 1885
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Published 1897
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Published 1898
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Published 1898
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by Klinger, Max 1857-1920
Published 1899
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“...Klinger, Max 1857-1920 (DE-588)118563335 gnd...”Published 1899
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by Meissner, Franz Hermann, 1863-1925.
Published 1899
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“...Klinger, Max <1857-1920>...”Published 1899
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Published 1899
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“...Klinger, Max 1857-1920...”
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